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2025 Competition

In its 2nd edition, Cascais Opera received 340 applications from singers of 39 different nationalities. Out of these, 44 singers were selected to compete live in Portugal.

Selected Contestants

Ana Rita Coelho Portugal Mezzo

Anna (Hana) Tetruashvili Israel Mezzo

Artem Akimov Russian Federation Baritone

Barbara Skora Poland Mezzo

Beatriz Miranda Portugal Mezzo

David Goldberg Israel Tenor

Defne Celik Germany Soprano

Ester Ferraro Italy Mezzo, Alto

Fleuranne Brockway Australia Mezzo

Gaeun Song South Korea Soprano

Génesis Beatriz López Da Silva Portugal Mezzo

Han Seong Yun South Korea Bass

Iris Candelaria Finland Soprano

JaeWoung Lee South Korea Bass

Jean Miannay France Tenor

Ju Hyeok Lee South Korea Tenor

Juliana Macedo Portugal Soprano

Juliane Stolzenbach Ramos Portugal Soprano

Konstantin Fedotov Russian Federation Bass

Kyrylo Krasnykov Ukraine Tenor

Laura Brasó Spain Soprano

Liam James Karai Ireland Bass, Baritone

Lin Fan China Bass, Baritone

Lucy Altus United States of America Mezzo

Manhan Qi China Soprano

Maria Koroleva Russian Federation Soprano

Maria Madalena Guimarães de Martins Portugal Soprano

Mariam Tsiklauri Georgia Soprano

Marta Martins Portugal Soprano

Maya Gour Israel Mezzo

Mengying Jia China Mezzo

Oksana Pynchuk Ukraine Soprano

Rahel Brede Germany Mezzo

Rebecca Manseau United States of America Soprano

Rosalind Sarah Watson Dobson United Kingdom Soprano

Sehyun Kyung South Korea Tenor

Sergei Morozov Russian Federation Bass

Seungwoo Sun South Korea Baritone

Simon Antakov Russian Federation Baritone

Soraya Méncid Spain Soprano

Susanne Veeh Germany Mezzo

Tigran Ohanyan Armenia Tenor

Viktor Aksentijević Serbia Baritone

WenBo Shuai China Countertenor

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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