The following awards are lined-up to be attributed at the Cascais Opera – International Vocal Competition 2025.
5.000€
3.500€
2.500€
This prize will be awarded by
Mr. Aleksandar Nikolić
1.500€
It will be voted by the audience during the Final.
1.500€
This prize will be awarded to each finalist who has not been awarded other monetary prizes
1.000€
This prize will be awarded by Mr. Aleksandar Nikolić
This prize will be awarded by Ms. Juliane Banse
This prize will be awarded by Maestro Nikolay Lalov
This prize will be awarded by Mr. Adriano Jordão
This prize will be awarded by Maestro Armando Mota
This prize will be awarded by Mr. Tan Sagtürk
This prize will be awarded by Ms. Flávia Furtado
Carlos Gomes was the most important and successful opera composer in the Americas in the 19th century. Born in Campinas, Brazil, in 1836, his talent for lyricism and melodrama led him to Europe, where his compositions earned praise from none other than Giuseppe Verdi, who reportedly said: “This young man begins where I end!” A composer of several successful operas, including Il Guarany, Carlos Gomes secured his place among the great Romantic opera composers of the 19th century. His significance in the development of the genre is now widely recognized, having influenced composers such as Amilcare Ponchielli and Pietro Mascagni.
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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.
Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.
Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.
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