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Awards and Prizes

The following awards are lined-up to be attributed at the Cascais Opera – International Vocal Competition 2025.

GRAND PRIX ÉGIDE

10.000,00€
The winner of this prize will also receive a contract with São Carlos National Theatre. The Official winner of the competition
This prize is awarded by Égide – Portuguese Arts Association

First Prize “Teresa Berganza”

for female voice

7.500,00€
This prize is awarded by Fundação “la Caixa” in collaboration with BPI

First Prize “Maurício Bensaude”

for male voice

7.500,00€
This prize is awarded by Fundação Millennium BCP

2nd Prize

5.000,00€

3rd Prize

3.500,00€

Best Singer
under 25 Award

2.500,00€

Stage Skills Award

Contract with the National Opera Novi Sad – Serbia

This prize will be awarded by
Mr. Aleksandar Nikolić

1.500,00€

RTP Audience Prize

The RTP Audience Prize will be chosen by the members of the audience during the Final

1.500,00€

Finalist Award

This prize will be awarded to each finalist who has not been awarded other monetary prizes

1.000,00€

© Ricardo Oliveira Alves | Fundação Calouste Gulbenkian

other Awards and national artistic partnerships

Contract with the National Opera
Novi Sad – Serbia 

This prize will be awarded by Mr. Aleksandar Nikolić

@Paulo Gouveia e Estela Álvarez Ruiz

FIMM - Contract with the Festival Internacional de Música de Marvão – 2026

This prize will be awarded by Mrs Juliane Banse

Contract with the Orquestra de Câmara de Cascais e Oeiras

This prize will be awarded by Maestro Nikolay Lalov

Contract with the Festival de Música de Mafra “Filipe de Sousa”

This prize will be awarded by Mr. Adriano Jordão

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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