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Calendar

1 Oct to 15 Dec 2024

Applications

16 Dec 2024 to 31 Jan 2025

Selection

1 to 10 Feb 2025

Announcement

23 Apr to 4 May 2025

Live Competition

*The application is accepted for pre-selection as long as it is validated by the organization as complying with all the requested requirements.

Schedule for live competition Phase

april 2024

6

WELCOMING 

Centro Cultural de Cascais | Fundação D.Luís I

  • 9:30am – 10:30am | Arrival and Check-in
  • 10:30am – 11am | Opening speech
  • 11am – 12:30am | Draw of the sequence of performances and Photos
7

FIRST ROUND – DAY 1/2

Centro Cultural de Cascais | Fundação D.Luís I

  • 10am – 1:30pm | First Round
  • 1:30pm – 3pm | Lunch
  • 3pm – 6:30pm | First Round
  • 6:30pm – 7pm | Break
  • 7pm – 8:30pm | First Round
8

FIRST ROUND – DAY 2/2

  • 10am – 1pm | First Round –  Centro Cultural de Cascais | Fundação D.Luís I
  • 3:30pm (not before, possibly after) – Jury’s announcement of the semifinalists and feedback for those who don’t go through, Museu Condes de Castro Guimarães
10

SEMI-FINALS – DAY 1/2

  • 11am – 1pm | Semi-finals – Centro Cultural de Cascais | Fundação D.Luís I
  • 1pm – 3pm | Lunch
  • 3pm – 6pm | Semi-finals – Centro Cultural de Cascais | Fundação D.Luís I
11

SEMI-FINALS – DAY 2/2

12
14

FINALS

5pmWATCH LIVE AT THE SÃO CARLOS NATIONAL THEATER OR STREAM LIVE ON RTP2 – Portuguese Symphony Orchestra

*The presented schedules may experience minor alterations

© Ricardo Junqueira

Newsletter
Cascais opera

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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