Candidata-te Agora!

Calendário

1 Out a 15 Dez 2024

Candidaturas

16 Dez 2024 a 31 Jan 2025

Seleção

1 a 10 Fev 2025

Anúncio de candidatos

23 Abr a 4 Mai 2025

Concurso ao Vivo

*A candidatura é aceite para pré-seleção desde que seja validada pela organização e cumpra com todos os requisitos solicitados.

© Ricardo Junqueira

Horários da Fase do Concurso Ao Vivo

Abril 2024

6

BOAS-VINDAS

Centro Cultural de Cascais | Fundação D.Luís I

  • 9h30 – 10h30 | Chegada e Check-in
  • 10h30 – 11h | Discurso de abertura
  • 11h – 12h30 | Sorteio da sequência de Performances e Fotografias
7

PRIMEIRO RONDA – DIA 1/2

Centro Cultural de Cascais | Fundação D.Luís I

  • 10h – 13h30 | Primeira ronda
  • 1h30 – 15h | Almoço
  • 15h – 18h30 | Primeira ronda
  • 18h30 – 19h | Pausa
  • 19h – 20h30 | Primeira ronda
8

PRIMEIRA RONDA – DIA 2/2

  • 10h – 13h | Primeira Ronda – Centro Cultural de Cascais | Fundação D.Luís I
  • 15h30 (nunca antes, possivelmente depois) -Anúncio dos semifinalistas pelo Júri e feedback para os que não avançam, Museu Condes de Castro Guimarães
10

SEMI-FINAIS – DIA 1/2

  • 11h – 13h | Semi-finais – Centro Cultural de Cascais | Fundação D.Luís I
  • 13h – 15h | Almoço
  • 15h – 18h | Semi-finais – Centro Cultural de Cascais | Fundação D.Luís I
11

SEMI-FINAIS – DIA 2/2

12
14

FINAIS

17h | ASSISTA AO VIVO NO TEATRO NACIONAL DE SÃO CARLOS OU EM DIRETO NA RTP2 – Orquestra Sinfónica Portuguesa

*Os horários apresentados podem sofrer pequenas alterações

© Ricardo Junqueira

Newsletter
Cascais ópera

Obrigado por subscrever a nossa Newsletter!

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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