Candidata-te Agora!

Concurso 2025

Na sua 2.ª edição, o Cascais Ópera recebeu 340 candidaturas provenientes de 39 nacionalidades diferentes. Destes, 44 cantores foram selecionados para competir ao vivo em Portugal.

Concorrentes Selecionados

Ana Rita Coelho Portugal Mezzo

Anna (Hana) Tetruashvili Israel Mezzo

Artem Akimov Rússia Barítono

Barbara Skora Polónia Mezzo

Beatriz Miranda Portugal Mezzo

David Goldberg Israel Tenor

Defne Celik Alemanha Soprano

Ester Ferraro Itália Mezzo, Alto

Fleuranne Brockway Austrália Mezzo

Gaeun Song Coreia do Sul Soprano

Génesis Beatriz López Da Silva Portugal Mezzo

Han Seong Yun Coreia do Sul Baixo

Iris Candelaria Finlândia Soprano

JaeWoung Lee Coreia do Sul Baixo

Jean Miannay França Tenor

Ju Hyeok Lee Coreia do Sul Tenor

Juliana Macedo Portugal Soprano

Juliane Stolzenbach Ramos Portugal Soprano

Konstantin Fedotov Rússia Baixo

Kyrylo Krasnykov Ucrânia Tenor

Laura Brasó Espanha Soprano

Liam James Karai Irlanda Baixo, Barítono

Lin Fan China Baixo, Barítono

Lucy Altus Estados Unidos da América Mezzo

Manhan Qi China Soprano

Maria Koroleva Rússia Soprano

Maria Madalena Guimarães de Martins Portugal Soprano

Mariam Tsiklauri Geórgia Soprano

Marta Martins Portugal Soprano

Maya Gour Israel Mezzo

Mengying Jia China Mezzo

Oksana Pynchuk Ucrânia Soprano

Rahel Brede Alemanha Mezzo

Rebecca Manseau Estados Unidos da América Soprano

Rosalind Sarah Watson Dobson Reino Unido Soprano

Sehyun Kyung Coreia do Sul Tenor

Sergei Morozov Rússia Baixo

Seungwoo Sun Coreia do Sul Barítono

Simon Antakov Rússia Barítono

Soraya Méncid Espanha Soprano

Susanne Veeh Alemanha Mezzo

Tigran Ohanyan Arménia Tenor

Viktor Aksentijević Sérvia Barítono

WenBo Shuai China Contratenor

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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