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Ana Rita Coelho Wins Grand Prix Égide at the Cascais Ópera Final at the Gulbenkian

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The Final of the competition took place this Sunday at the Grande Auditório of the Calouste Gulbenkian Foundation in Lisbon. In front of a full house, the eight finalists performed at the highest level, accompanied by the Portuguese Symphony Orchestra under the baton of Maestro Antonio Pirolli.

Portuguese mezzo-soprano Ana Rita Coelho was the overall winner of the second edition of Cascais Ópera – International Vocal Competition. In addition to receiving the Grand Prix Égide, worth €10,000, and a contract with the Teatro Nacional de São Carlos, the 30-year-old singer also won the RTP Audience Prize of €1,500.

Serbian baritone Viktor Aksentijević was awarded the First Prize “Maurício Bensaude” for Best Male Voice (€7,500), while Israeli mezzo-soprano Anna Tetruashvili received the First Prize “Teresa Berganza” for Best Female Voice (€7,500).

The Second Prize (€5,000) was awarded to Chinese soprano Manhan Qi, and the Third Prize (€2,000) went to young German soprano Defne Celik, who also received the Best Singer Under 25 Prize (€2,500).

The Stage Talent Prize (€1,500) was awarded to semifinalist Oksana Pynchuk, soprano from Ukraine, who also received a contract with the National Opera – Novi Sad, in Serbia.

In addition to the main awards, several contracts with renowned festivals and institutions were granted, reinforcing the international character of the competition, which received over 340 applications from 49 countries in this edition.

South Korean tenor Sehyung Kyung was offered a role in a production by the Istanbul State Opera and Ballet in the 2025/2026 season. Semifinalist Ju Hyeok Lee, also a South Korean tenor, was selected for the 2026 Marvão International Music Festival, while bass JaeWoung Lee secured a contract with the Algarve International Piano Festival for the 2025/2026 season.

Spanish soprano Laura Brasó was awarded a contract with the Cascais and Oeiras Chamber Orchestra.

Semifinalists Madelena Oliveira Martins (soprano, Portugal), Ester Ferraro (alto/mezzo-soprano, Italy), Milan Perišić (baritone, Serbia), and Jean Miannay (tenor, France) were also awarded a contract with the Mafra Music Festival “Filipe de Sousa”.

The Carlos Gomes Prize, awarded in partnership with the Amazonas Opera Festival for its 2026 edition, was granted to South Korean baritone Sunu Sun, who will give four concerts in Brazil.

The evening celebrated not only the winners but also the international, inclusive, and high-calibre spirit that defines Cascais Opera, in a performance that, in addition to the prestigious international jury, was attended by several figures from the classical music and cultural world.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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