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Applications open for the 3rd edition

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Cascais Opera – International Vocal Competition is now open for applications for its 3rd edition, inviting young opera singers from all over the world to embark on an artistic experience of excellence that combines training, performance, and real career opportunities.

With each edition, the competition has grown in prestige, prizes, and international impact. This year, the total prize value exceeds €50,000 (see prizes), and the number of contracts and international artistic partnerships continues to expand, establishing Cascais Opera as one of the most promising vocal competitions of today.

Applications are open to singers of all nationalities, aged between 18 and 32, and all voice types are welcome. Applications are open until January 15, 2026, and must be submitted online via this link.

In the previous edition, the competition received more than 340 applications from 49 countries, reinforcing its global standing. The competition brings together a distinguished international jury, presided over by baritone Sergei Leiferkus, and composed of renowned names such as Antonio Pirolli, Catarina Sereno, Christina Scheppelmann, Eline de Kat, Erik Malmquist, Ferruccio Furlanetto, Fredrik Andersson, Ivan van Kalmthout, Juliane Banse, and Karen Stone. This remarkable panel ensures global relevance and provides meaningful artistic guidance for the Young participants’ careers.

The entire competition takes place in iconic venues across the town of Cascais. The Final will be held at the Grand Auditorium of the Calouste Gulbenkian Foundation, in Lisbon, accompanied by the Cascais Symphony Orchestra — the most anticipated moment of the competition, where talent and emotion meet on a world-class stage.

Set between the stunning landscapes of Cascais and the vibrant city of Lisbon, the competition brings together artistic excellence and Heritage, positioning Portugal as a new international centre for opera.

Applications open until January 15, 2026!

other news

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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