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Cascais Ópera at the 18th Annual Ópera Latinoamérica Conference

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Cascais Ópera took part in the 18th Annual Ópera Latinoamérica (OLA) Conference, held from June 17 to 20 in Valencia, Spain, at the iconic Palau de les Arts Reina Sofía.

Under the theme “Theatres: Audiences and Ideas for the Future,” the event brought together over 45 OLA members — including theatre directors, cultural managers, artists, and creative industry experts from Ibero-America and Europe — to discuss current and future challenges facing the opera and performing arts sectors.

As a member of the OLA network, Cascais Ópera used this opportunity to strengthen its presence on the international operatic scene, highlighting its commitment to artistic excellence, the development of young talent, and cultural, social, and environmental sustainability.

During the conference, the Portuguese project presented its mission and journey, which has been increasingly recognized as a platform for discovering, supporting, and promoting new voices on the global stage. Alexandra Maurício, General Director of Cascais Ópera, emphasized:
“We came to present Cascais Ópera and to invite OLA members to join us in creating new opportunities for our candidates — with more prizes, tours across Latin America, invitations to join our Jury in future editions, and more Latin American singers in the competition. Let’s do more and better for opera.”

The event encouraged broad reflection on the role of cultural institutions in contemporary society, addressing topics such as new programming models, audience diversification, female leadership, professional development, and both digital and environmental transitions. A key highlight was the launch of the “Green Book for Theatres”, a strategic guide aimed at supporting organizations in adopting more sustainable practices.

Cascais Ópera’s participation in this conference reaffirmed its role as an agent of transformation within the opera sector, promoting new international collaborations and strengthening Portugal’s presence in the Ibero-American operatic network.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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