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Cascais Opera donates to Gaivotas da Torre Association and Estoril Parish Centre

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The Summer Solidarity Concert brought to the stage of the Auditório da Boa Nova two youth orchestras — from Macau and the Colégio Moderno — along with the winners of the RTP Audience Award 2024 and 2025, Sílvia Sequeira and Rita Coelho, in a performance where music took on a greater purpose: supporting two social partner institutions of Cascais Opera.

All ticket proceeds from the concert were donated to the Gaivotas da Torre Association and the Estoril Parish Centre. The visit allowed the Cascais Opera team to get to know the spaces, leaders, and beneficiaries of both organisations more closely — an opportunity to witness the real impact these institutions have within their local communities.

This moment also strengthened the bonds of collaboration and the social commitment that Cascais Opera maintains with the people of Cascais.

The Gaivotas da Torre Association works daily to promote the value of each person and family, developing artistic, sports, and educational activities, while providing psychological and social support to dozens of families.

The Estoril Parish Centre, meanwhile, is a social solidarity institution linked to the Parish of Santo António do Estoril, dedicated to education, integration, and community support.

Throughout the year, these organisations collaborate with Cascais Opera’s participatory designers, contributing to the project that transforms communication materials — such as banners and posters — into new, creative, and sustainable products that gain a second life.

This ongoing partnership reflects Cascais Opera’s social and environmental commitment — bringing together art, community, and sustainability in a shared purpose, where music becomes real, lasting impact.

other news

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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