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Cascais Opera receives 499 applications from 59 countries

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Cascais Opera – International Vocal Competition closed its application period with 499 candidates, a significant increase compared to the 2025 edition, which received 340 applications.

The 2026 edition confirms the competition’s growing international profile, with applications from 59 countries, reflecting a broad global participation. Of particular note is the strong presence of candidates from almost every country in the Americas, a growth that the organization attributes to the integration of Cascais Opera into the OLA – Ópera Latinoamérica network, which has been strengthening the competition’s ties to Latin America and the Caribbean.

South Korea is the country with the highest number of applications (97), followed by China (75). In Europe, countries such as Germany (35), Spain (27), Italy (20), and France (13) stand out.

Portuguese participation has also increased significantly, from 6 candidates in 2025 to 25 in this edition, placing Portugal among the five most represented countries in the competition.

The artistic evaluation phase will now follow. All applications will be reviewed by the selection jury, chaired by bass-baritone Sergei Leiferkus and composed of Catarina Sereno, Ivan van Kalmthout, Jennifer Larmore, and Liliana Bizineche. The candidates selected to participate in person in Cascais will be announced on April 15.

At stake are €57,000 in prizes and 12 professional contracts, including opportunities with institutions and festivals such as the Amazonas Opera Festival, the Istanbul State Opera and Ballet, the Marvão International Music Festival, the Mafra Music Festival, and the Óbidos Opera Festival.

The competition will take place between May 29 and June 7, with auditions, masterclasses, concerts, and networking opportunities in various venues in the town of Cascais. The competition will end with the Final Concert on June 7 at the Calouste Gulbenkian Foundation in Lisbon. Tickets are now available on Ticketline, with prices ranging from €15 to €30.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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