Opera should be experienced and felt by everyone and Cascais Ópera has been working continuously to ensure that the event becomes increasingly accessible.
Cascais Opera’s rehearsals, live auditions, masterclasses and Semi-Finalists Concert take place in cultural and museum venues of reference in the Cascais Museum District – such as the Cascais Cultural Center, the Paula Rego House of Stories, the Condes de Castro Guimarães Museum, the Cascais Citadel Palace and the Cascais Conservatory of Music.
The Final will be held in Lisbon, at the Calouste Gulbenkian Foundation.
All these venues have accessibility policies already in place, which are fully integrated into the organization of the event.
A project that allows blind and low-vision audiences independent access to the Cascais Ópera Final at the Calouste Gulbenkian Foundation. Through the human and personalized mediation of a volunteer – students or professionals in the field of culture or interested parties – who describes the visual elements on stage to the ear of the blind or low-vision spectator.
How to proceed?
Based on “Les Souffleurs d’Images”, this is a project run by the French association Souffleurs de Sens since 2009, in partnership with Locus Acesso. We started this project in September 2024, but how? By creating a community of Image Blowers who will be trained to understand the specific needs of spectators who are blind or have low vision, through practical mobility and description exercises.
Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.
Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.
Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.
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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.
Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.
Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.
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