Opera should be experienced and felt by everyone. Cascais Opera has been continuously working to ensure that the event becomes increasingly accessible to all audiences.
All the venues that host the various stages of the competition — rehearsals, live rounds, masterclasses, and concerts — have established accessibility policies that are fully integrated into the organization of Cascais Opera.
These activities take place in some of the most emblematic cultural and museum spaces within Cascais’ Museum Quarter: Cascais Cultural Center, the Paula Rego House of Stories, the Condes de Castro Guimarães Museum, the Cascais Citadel Palace, Casa Sommer, and the Cascais Conservatory of Music.
The Final will be held in Lisbon, at the Calouste Gulbenkian Foundation, reinforcing the project’s connection to Portugal’s most prestigious cultural institutions and its commitment to making opera open, inclusive, and accessible to all.
Specific measures at the only paid event during the competition for people with:
This initiative allows blind and visually impaired audience members to independently access the Cascais Opera Final at the Calouste Gulbenkian Foundation. Through personalized human mediation, a trained volunteer — who may be a student, cultural professional, or other participant — describes the visual elements on stage directly to the spectator’s ear, offering a vivid and inclusive experience.
How to participate?
This initiative allows blind and visually impaired audience members to independently access the Cascais Opera Final at the Calouste Gulbenkian Foundation. Through personalized human mediation, a trained volunteer — who may be a student, cultural professional, or other participant — describes the visual elements on stage directly to the spectator’s ear, offering a vivid and inclusive experience.
How to participate?
Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.
Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.
Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.
After filling in the information below click subscribe.
We will keep you up to date.
Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.
Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.
Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.
This site uses cookies for a better user experience.
By using this site you are agreeing with our Privacy Policy and Terms and Conditions