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Cascais Opera at the 4th OLA Women’s Forum in Bogotá

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Alexandra Maurício, Co-Founder and General Director of Cascais Opera – International Vocal Competition, will take part in the 4th OLA Women’s Forum, Building Inclusive and Collective Leadership, taking place in Bogotá, Colombia, from 24 to 26 September 2026.

Organised by Ópera Latinoamérica (OLA), in partnership with the Centro Nacional de las Artes Delia Zapata Olivella and Teatro Mayor Julio Mario Santo Domingo, the Forum brings together cultural leaders and performing arts professionals from across the Ibero-American region to explore new perspectives on leadership, representation and participation in the cultural sector.

On 25 September, Alexandra Maurício will join Panel 1, What Does Female Leadership Mean?, alongside Benita Ferrero-Waldner, former European Commissioner for External Relations and European Neighbourhood Policy; Ana María Boada, Secretary of Culture and Sport of Bogotá; and Jenny Suárez, Deputy General Director of Teatro Mayor Julio Mario Santo Domingo. The discussion will be moderated by Paulina Ricciardi, Executive Director of OLA.

The programme looks beyond traditional models of leadership, opening up a broader conversation around collaborative and inclusive approaches, gender equality in the workplace, the visibility of women as composers, playwrights and directors, and new models of organisation and management within the performing arts.

The Forum will also feature the presentation of the Ibero-American edition of Abriendo el Telón, a tool developed to support the prevention, response and redress of gender-based violence in the performing arts.

Alongside her participation in the panel, Alexandra Maurício will attend the Forum throughout its three-day programme, taking part in its sessions, meetings and networking opportunities and contributing to an international exchange of experiences and perspectives across the OLA network.

Cascais Opera’s participation in the Forum reflects its continued engagement with OLA – Ópera Latinoamérica, of which it has been a member since 2024, and further strengthens the ties between the Portuguese competition and opera and cultural institutions across Latin America.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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