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Cascais Opera Singers in Concerts in Portugal

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Laura Brasó, Madalena Oliveira Martins, Ester Ferraro, Sehyun Kyung, and Jamal Al Titi return to portuguese stages on November 14 and 15 for two concerts as part of partnerships that extend the professional opportunities provided by the competition.

On November 14, at 5:00 p.m., Spanish soprano Laura Brasó will perform at the Senhora da Boa Nova Auditorium in Estoril, accompanied by the Cascais and Oeiras Chamber Orchestra. The singer returns to Portugal to fulfill the prize she won in the 2025 edition of Cascais Opera: a contract to perform with this ensemble.

The following day, November 15, at 6:00 p.m., it will be the turn of Madalena Oliveira Martins (soprano), Ester Ferraro (mezzo-soprano), Sehyun Kyung (tenor), and Jamal Al Titi (baritone) to come together for the concert “A Night at the Opera” at the Casa de Cultura Jaime Lobo e Silva in Ericeira, as part of the 10th Mafra Music Festival “Filipe de Sousa.”

Accompanied on piano by Francisco Sassetti and with stage direction by David Santos, the four singers will present a program featuring some of the most iconic pieces from the operatic repertoire, including works by Mozart, Gounod, Massenet, Tchaikovsky, Offenbach, Puccini, and Verdi.

The concert is the result of a partnership between Cascais Ópera and the Mafra Music Festival, made possible by a prize awarded in the 2025 edition of the competition by Adriano Jordão, artistic director of both cultural projects.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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