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Vozes do Cascais Ópera em concertos em Portugal

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Laura Brasó, Madalena Oliveira Martins, Ester Ferraro, Sehyun Kyung e Jamal Al Titi regressam aos palcos portugueses nos dias 14 e 15 de novembro, para dois concertos no âmbito de parcerias que prolongam as oportunidades profissionais proporcionadas pelo concurso.

No dia 14 de novembro, às 17h00, a soprano espanhola Laura Brasó atua no Auditório Senhora da Boa Nova, no Estoril, acompanhada pela Orquestra de Câmara de Cascais e Oeiras. A cantora regressa a Portugal para concretizar o prémio conquistado na edição de 2025 do Cascais Ópera: um contrato para atuar com esta formação.

No dia seguinte, 15 de novembro, às 18h00, é a vez de Madalena Oliveira Martins (soprano), Ester Ferraro (mezzo-soprano), Sehyun Kyung (tenor) e Jamal Al Titi (barítono) se reunirem no concerto «Uma Noite na Ópera», na Casa de Cultura Jaime Lobo e Silva, na Ericeira, integrado no 10.º Festival de Música de Mafra «Filipe de Sousa».

Acompanhados ao piano por Francisco Sassetti e com direção de cena de David Santos, os quatro cantores apresentam um programa com algumas das mais emblemáticas páginas do repertório operático, com obras de Mozart, Gounod, Massenet, Tchaikovsky, Offenbach, Puccini e Verdi.

O concerto resulta de uma parceria entre o Cascais Ópera e o Festival de Música de Mafra, através de um prémio atribuído na edição de 2025 do concurso por Adriano Jordão, diretor artístico de ambos os projetos culturais.

Estas duas apresentações ilustram o compromisso do Cascais Ópera com a valorização dos cantores que passam pelo concurso, criando oportunidades de atuação, contacto com novos públicos e desenvolvimento dos seus percursos profissionais.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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