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Cascais Ópera integra programa internacional de mentorias para mulheres no setor cultural

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A diretora executiva do Cascais Ópera, Alexandra Maurício, integra a primeira edição do Programa de Mentorias do Fórum de Mulheres da Ópera Latinoamérica (OLA), iniciativa que promove o desenvolvimento profissional e a capacitação de mulheres no setor das artes performativas, com enfoque na ópera e nas instituições culturais ibero-americanas.

Este programa, desenvolvido pela OLA – rede de colaboração internacional da qual o Cascais Ópera é membro ativo – conta com a consultoria da organização chilena Mujeres Empresarias e pretende fortalecer o papel das mulheres nas organizações associadas, criando oportunidades de crescimento, aprendizagem e liderança.

Como mentora, Alexandra Maurício junta-se a um grupo de mulheres líderes de referência em teatros, festivais e companhias como o Teatro Municipal de São Paulo, o Municipal de Santiago do Chile, o Teatro Real de Madrid, o Teatro Nacional Sucre (Equador), o SODRE do Uruguai, entre outros.

Esta primeira edição do programa não só impulsiona o talento feminino na indústria, como também fomenta redes de apoio e partilha de experiências entre profissionais de diferentes países e contextos culturais.

O Cascais Ópera – Concurso Internacional de Canto orgulha-se de fazer parte desta rede global de instituições que, em conjunto, promovem a igualdade, a excelência artística e o intercâmbio entre culturas.

OUTROS ARTIGOS

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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