Candidata-te Agora!

Cláudia Anjos brilhou em “Jenůfa” no Centro Cultural de Belém

highlight

Com enorme orgulho, partilhamos que Cláudia Anjos, concorrente da 1.ª edição do Cascais Ópera, integrou o elenco da ópera Jenůfa, de Leoš Janáček, interpretando o papel de Jano, numa produção apresentada no Centro Cultural de Belém nos dias 21 e 23 de março.

A sua participação no Cascais Ópera revelou-se um marco importante no seu percurso, tendo-lhe valido o convite para a audição que a levou a integrar esta prestigiada produção da Opera Ballet Vlaanderen, com encenação de Robert Carsen.

Depois de passar pelos mais emblemáticos palcos internacionais, Jenůfa chegou a Portugal com um elenco de excelência. Esta obra-prima de Leoš Janáček consolidou a sua posição como um dos grandes compositores da história da ópera, emocionando a audiência com a sua intensidade dramática e musical.

Para o Cascais Ópera, é motivo de grande satisfação ver os seus antigos concorrentes alcançarem novos patamares. Este é o reflexo da missão que nos move: descobrir, apoiar e promover os talentos do futuro da ópera.

Parabéns, Cláudia, por mais este extraordinário passo na tua carreira. Que continues a conquistar novos palcos com o brilho e a dedicação que sempre demonstraste.

OUTROS ARTIGOS

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

Newsletter
Cascais ópera

Obrigado por subscrever a nossa Newsletter!

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

Este website utiliza cookies para uma melhor experiência do utilizador. Ao utilizar este website, o utilizador concorda com a nossa Política de Privacidade e Termos e Condições