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2024 Finalists Take the Stage at Major Festivals

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The impact of the Cascais Ópera – International Vocal Competition is also measured by how its awards translate into real professional opportunities for its participants. In 2024, two young Portuguese sopranos — Teresa Sales Rebordãoand Constança Melo — were awarded professional contracts, joining the list of laureates whose talents are recognized with performances on prestigious stages.

These artistic contracts were granted as part of the 2024 edition, a direct result of strategic partnerships established by Cascais Ópera with renowned festivals and cultural institutions. These commitments are now materializing in high-profile performances.

Soprano Teresa Sales Rebordão will perform two recitals at the 2025 Marvão International Music Festival, under the artistic direction of Christoph Poppen and Juliane Banse. On 19 July, she will interpret works by French composers Lili and Nadia Boulanger, accompanied by pianist Silke Avenhaus, at the Church of São Tiago. On 24 July, she will join an international cast in a performance of Johannes Brahms’ Liebeslieder-Walzer, alongside Sunhae Im, Ilyà Dovnar, Nikolay Borchev, Marcelo Amaral, and Tae-Hyung Kim, in the Courtyard of Marvão Castle.

Also recognized at Cascais Ópera, Constança Melo will fulfil her award with a solo recital at the Mafra Music Festival, on 26 July 2025, at the Beatriz Costa Municipal Auditorium. Titled “Open Letter to Constança Melo”, the programme will be accompanied on piano by Eduardo Jordão, in a performance that celebrates her rising artistic journey.

More than just a competition, Cascais Ópera stands as a platform for professional growth and visibility, fostering partnerships that transform talent into stage experience. These performances are a clear example of how the festival delivers on its promise to propel young careers — offering more than recognition: offering a path forward.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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