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Cascais Opera Grand Prix Winner Performs at Official Portugal’s Day Celebrations in Boston

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Portuguese mezzo-soprano Ana Rita Coelho, winner of the Grand Prix Égide at the second edition of the Cascais Opera – International Vocal Competition, was among the featured artists in the concert “Toast to America,” held on 10 June at the historic Old South Church in Boston. The event formed part of the official celebrations of Portugal Dayand the 250th anniversary of the Independence of the United States.

Held in the presence of His Excellency the Ambassador of Portugal to the United States, the concert celebrated the cultural ties between Portugal and the United States through a programme dedicated to Portuguese musical heritage, featuring sacred and secular works spanning several centuries. Organised in partnership with Cascais Opera, the event further highlighted the Competition’s growing international profile and the continued success of its laureates.

Joining Ana Rita Coelho on stage were musicologist Inês Thomas Almeida, who guided the audience through the historical and musical context of the programme, and renowned organist João Vaz, one of Portugal’s leading specialists in organ music.

The programme explored more than four centuries of Portuguese musical creation, featuring works by composers including Manuel Rodrigues Coelho, Marcos Portugal, João Domingos Bomtempo, Matilde Sauvayre da Câmara, Francisco de Lacerda, Jorge Croner de Vasconcellos and Fernando Lopes-Graça, showcasing the richness and diversity of Portugal’s vocal and instrumental heritage.

Tiago Araújo, Consul General of Portugal in Boston; Rita Coelho (soprano); João Vaz (organist); Inês Thomas Almeida (musicologist); Alexandra Maurício (Co-founder and Executive Director of Cascais Ópera); Ana Abrantes (Communications, Cascais Ópera); Francisco Duarte Lopes, Ambassador of Portugal to Washington.

Ana Rita Coelho’s participation in this prestigious concert follows the recognition she received at Cascais Opera, where she was awarded the Grand Prix Égide in 2025. Since then, she has continued to build a promising international career through a growing number of artistic engagements, reflecting the Competition’s commitment to supporting and promoting outstanding young Portuguese singers.

The presence of a Cascais Opera laureate at an official Portugal Day event in the United States is yet another example of the international opportunities created through the Competition and its mission to foster the careers and international visibility of the next generation of opera artists.

Through this initiative, Cascais Opera further advanced its internationalisation strategy, strengthening its network of partners in North America while promoting Portugal through a distinctive artistic programme that showcased the richness of the country’s musical heritage and created new opportunities for international collaboration.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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