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Cascais Opera x Millennium bcp Foundation

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The Millennium bcp Foundation carries out its activities with the aim of generating a positive impact on society by supporting projects in the areas of culture, social solidarity, and knowledge. Its work focuses on preserving and promoting heritage, fostering inclusion and empowering more vulnerable communities, as well as encouraging research and innovation. Through this approach, the Foundation contributes to more sustainable, cohesive, and culturally meaningful development.

What moved you the first time you experienced opera?

There is an intensity in opera that makes it unforgettable from the very first encounter. The power of the voices, the music, and the closeness to the performers on stage create unique and lasting emotions. Opera conveys universal feelings in such an expressive and engaging way that it continues to resonate within us long after the performance has ended.

How do you feel about contributing to the beginning of an artistic career?

Contributing to the start of an artistic career means supporting talent at its most promising stage, helping to create the conditions for it to develop and gain visibility. For the Millennium bcp Foundation, this represents a commitment to promoting culture and encouraging new generations.

What impact do you believe an international competition like Cascais Ópera can have on culture in Portugal?

Cascais Ópera strengthens Portugal’s presence on the cultural scene. It attracts talent, builds networks, and promotes artistic exchange. At the same time, it contributes to audience development and to the appreciation of classical music, making it more accessible and closer to the public.

What legacy would you like this partnership to leave?

We hope this partnership will provide consistent support for emerging talent and for the recognition of culture as an essential element of society. More than a one-off contribution, the goal is to help build artistic careers and strengthen initiatives that have a lasting impact.

other news

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Cascais opera

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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