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Cascais Opera 2026 welcomes 41 singers from 25 nationalities

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The third edition of the Cascais Opera – International Vocal Competition will take place from 29 May to 7 June 2026 in Cascais and Lisbon, further establishing itself as a global platform for emerging opera talent.

From 499 applications across 59 countries, 41 singers have been selected to compete in Cascais, spanning 25 nationalities. The most represented countries include China, Germany, South Korea and Portugal, alongside a broader geographical presence from the Americas and Africa.

This international reach reflects Cascais Opera’s integration into leading networks such as OLA – Ópera Latinoamérica and the World Federation of International Music Competitions, strengthening opportunities for artistic mobility and professional development.

The competition opens on 29 May with an Opening Concert featuring Sílvia Sequeira, Ana Rita Coelho, John Pumphrey and Sergei Leiferkus, accompanied by the Cascais and Oeiras Chamber Orchestra and the Lisbon Cantat Symphonic Choir.

Public rounds take place on 30–31 May, followed by the Semi-Finals on 2 June and the Semifinalists’ Concert on 4 June. The programme also includes masterclasses and outreach activities throughout the week.

The competition culminates in the Final Concert on 7 June at the Calouste Gulbenkian Foundation in Lisbon, where eight finalists will perform with the Cascais Symphony Orchestra, conducted by Antonio Pirolli.

Tickets for the Final are available here

Most events are free and open to the public.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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