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Constança Melo Participates as a Scholarship Recipient at the WFIMC International Forum in Lithuania

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Portuguese soprano Constança Melo, a semifinalist in the 2026 edition of the Cascais Opera – International Vocal Competition, has been selected to participate as a scholarship recipient in the WFIMC Forum 2026 – “Inspiring the Future”, one of the most significant international gatherings dedicated to the future of classical music and the development of the next generation of artists.

Over the course of five days, Constança Melo join a group of 39 artists selected from 132 applications worldwide, benefiting from a scholarship that includes travel, accommodation, and full participation in the Forum. Throughout the event, participants will have the opportunity to perform in concert, establish professional contacts, exchange experiences with colleagues from different countries, and present artistic projects to leading professionals in the field.

The young soprano’s participation follows a nomination by the Artistic Directors of Cascais Opera, reinforcing the competition’s commitment to creating meaningful professional development opportunities for its participants beyond the competitive stage.

Workshop Hyung-Ki Joo – Stage Presence Lab

The Forum is organised by the World Federation of International Music Competitions (WFIMC), a network that brings together more than 120 of the world’s most prestigious music competitions, of which Cascais Opera is a member. Held annually, the Forum gathers professionals to discuss the challenges and opportunities facing classical music, while fostering knowledge exchange and the development of international collaborative networks.

The scholarship programme for young musicians is one of the Forum’s key initiatives, designed to prepare emerging artists for the realities of the professional music world. In addition to performance opportunities, participants have access to mentoring sessions, conferences, workshops, and networking activities, helping them develop the skills necessary to build sustainable international careers.

Over its first three editions, Cascais Opera has established itself as a platform for the discovery, training, and international promotion of young singers, building connections with some of the most important institutions and networks in the global music sector.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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