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Tenor sul-coreano Valentin Lee atua no Festival Internacional de Música de Marvão

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O tenor sul-coreano Valentin Lee, distinguido no Cascais Ópera – Concurso Internacional de Canto 2025 com o contrato artístico atribuído pelo Festival Internacional de Música de Marvão, regressa a Portugal para integrar a programação da edição de 2026 do festival.

Valentin Lee participa em dois dos momentos de maior destaque da programação. Dia 30 de julho durante a tarde, apresenta-se num recital de Lied, ao lado da soprano Juliane Banse, do violinista James Cuddeford e do pianista Aleksandar Madžar, interpretando o ciclo Dichterliebe, Op. 48, de Robert Schumann, uma das obras mais emblemáticas do repertório para tenor e piano.

No dia 2 de Agosto, sobe ao palco para a Gala de Encerramento do festival, no Castelo de Marvão, acompanhado pela Hong Kong Sinfonietta, sob direção do maestro Christoph Poppen. O programa inclui árias de Mozart e Franz Lehár, bem como o célebre dueto “Au fond du temple saint”, da ópera Os Pescadores de Pérolas, de Georges Bizet.

A colaboração entre o Cascais Ópera e o Festival Internacional de Música de Marvão continua a traduzir-se em oportunidades concretas para os participantes do concurso. Na sequência da atuação de Valentin Lee, distinguido em 2025, a diretora artística do Festival, Juliane Banse, selecionou já dois novos cantores sul-coreanos para integrarem futuras edições do Festival: o barítono Junyoung Choi, em 2027, e a soprano Seonwoo Lee, em 2028. Esta continuidade reflete a confiança do Festival no nível artístico dos candidatos do Cascais Ópera e reforça uma parceria que cria percursos profissionais sustentados para jovens intérpretes.

OUTROS ARTIGOS

Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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Over the past three decades, primarily in London, Portugal and Amsterdam, Dr Jorge Balça
has developed a strong portfolio of work and a unique combination of skillsets – as a stage
director (of theatre, opera, and hybrid forms), a teacher and workshop leader, a presentation
skills, acting and creativity coach, and practice-based researcher. His work in all these
domains is distinguished by his commitment to and skill in making fantasy and invention
emerge from precise knowledge and training – and by his ability to inspire a similar alchemy
in his collaborators.

Classically trained as an actor and countertenor, he studied theatre directing in London and
Moscow, specialising in Shakespeare, techniques of adaptation, Meyerhold and commedia
dell’arte. Jorge also holds a PhD exploring the dramatic training of opera performers.
With a love for site-specific projects and collaborative forms, and an equal flair for comedy
and drama, his work is dramaturgically inventive, visually striking, and physically engaged.
He was the artistic director of Bloomsbury Opera and associate director of The Opera
Makers, both in London. In Portugal, he has recently directed L’Heure Espagnole and The
Turn of the Screw at Centro Cultural de Belém, and Don Giovanni and La Voix Humaine at
Festival de Ópera de Óbidos.

Jorge is committed to his work as a teacher, having taught at the Dutch National Opera
Academy, Morley College London, Universidade de Évora and other institutions. He
maintains an international coaching private practice and is the acting coach at the Neil
Semer Vocal Institute in Italy.

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